Photographing Artwork Update

This is my third post on photographing artwork using a DSLR, and hopefully the last. This video is the culmination of a decade of research as well as years of purchasing and trying various equipment. The TLDR is that I’m able to get great results as far as color calibrating the camera with a C1 IT 8.7 card from and Lumariver Profile Designer software. Combined with a used DX camera from Nikon, a used macro lens, softbox lights, polarized sheets over the lights, and a circular polarizer on the lens, it’s possible have a very professional set-up for a reasonable investment. Probably less than the cost of one session with a professional photographer.

For capturing more detail for archival purposes, I’ve found that a full frame, large-sensor Nikon gets very good results.

I hope you enjoy the video.

P.S. I’ve put Amazon affiliate links in this post, but I personally bought my lenses and camera body from small local camera shops. Given the current situation, it’s better if we all try to support small businesses. It also allows you to check the shutter count, see that everything works, and sometimes they even offer their own warranty.

More on Color Calibration for Photographing Paintings

ICC Color Camera Calibration for photographing artwork.

The CoCa interface.

A quick post on calibrating color for photographing paintings. I wrote a longer post in 2014 on photographing paintings with a DSLR using a Colorchecker Passport, Adobe DNG profiles and Adobe Lightroom. That system has worked well for me for the last couple of years, but recently I wanted to use Phase One’s Capture One Pro as I find it to be superior to Lightroom for my needs. The problem I previously had with Capture One was that it doesn’t use the DNG profiles that the Colorchecker Passport software creates.

The only solutions I had found for making ICC profiles were very expensive. The oft-recommended PictoColor InCamera is a ten-year-old plug-in that sells for $200. You then have to find a copy of Photoshop 5.0 to use it with as it’s still 32-bit. There are a couple of other solutions that cost even more.

Enter CoCa, the freeware ICC Color Camera Calibrator. The software works with a number of physical color reference cards. One inexpensive one that I picked up ($30 plus shipping) is the IT 8.7 Calibration Target from Wolf Faust at It’s the C1 order number on his website (it says it’s for cameras, not scanners) and the package comes with the printed target as well as a CD with the reference files.

The IT 8.7 target from

The IT 8.7 target from

The CoCa webpage has instructions for the software but to sum it up briefly: You first photograph the calibration target under your lighting set-up, then crop it and save it as a TIFF file in your camera’s software. Next, select the image in CoCa, then select the target type and the reference file from the Coloraid CD (R131007.txt). Finally, save the ICC profile in the proper folder so your software can use it (for Capture One it is explained here). You can then apply it to your paintings in whatever software you’re using. For Capture One it gets applied via the Base Characteristics box under the Color tab.

CoCa should work with the Colorchecker Passport too, though I haven’t tried it.

For those using OSX, you can run CoCa through Wine though the process is somewhat complex and requires that you’re either handy with command line interface of Terminal or, like me, reasonably good at following instructions and copying and pasting.

A few people I’ve discussed color calibration with have balked about the high prices for calibration gear. In my opinion, this works out to be a good solution for a bit of time and $35 ($40 in the US).

Below are a couple of images of a painting of mine for comparison:

Photographing artwork with Coca and a IT 8.7 calibration target.

CoCa with a Coloraid IT 8.7 target and Capture One Pro.

Image of a plein air landscape photographed with a Colorchecker passport calibration card.

Colorchecker Passport with Adobe DNG and Lightroom.