Winter Painting Gear

I’ve uploaded a video on my winter gear for plein air painting in snow. I realize it’s a bit late for the season, but now is a good time to buy winter clothes on sale. My apologies for the poor video quality, but it was filmed quickly on my phone after we returned from painting in Vermont last winter.

This is an update from my previous post on painting in extreme cold. The two major improvements I’ve made are switching to yak wool, as it’s warmer than merino, and getting a waterproof down jacket. In the video, I mention my strategy for layering a thin waterproof shell over an insulation layer and I think this strategy is great for a number of reasons, a couple of which I forgot to mention:

  • You can get better quality gear by purchasing the layers separately.
  • You can quickly dry the gear out if it gets wet by separating the layers.
  • You can use the shells in other seasons for painting in rain, and you can use the insulation alone if there is no wind or precipitation.

That said, I think that the jacket is the only place where separating the shell and the insulation is a bad idea as it restricts mobility too much. I was using a Jottnar Fjorm jacket before and when I had to put a shell on it for freezing rain or snow I lost too much dexterity in my arms. I’ve since switched to a waterproof Crux ‘expedition’ jacket and it works much better. I barely feel it when I’m painting, and it’s fantastically warm.

2022 update: Don’t buy Crux. My new one leaks badly in the rain and they don’t reply to emails regarding their warranty.

Here are links to the manufacturers in the video:
Overshoes.
Cabelas Trans Alaska boots: (I use the Harkila Inuit. They stopped making them, but you can find them on Ebay).
Khunu: Yak wool socks and sweater.
Kora: Yak wool long underwear.
Arc’teryx: Pants and gloves, both insulated layer and shell. Atom is their line of insulation, for the shell I get whatever is lightest.
Goosefeet Gear: Down Hibbard mitten. You have to write to him, but he can make anything for you.
Mountain Equipment Concordia Fleece (Polartec Thermal Pro is the heavy fleece fabric).
Crux: Waterproof down jackets, I have the Magma.
Rapha: Deep Winter Collar (balaclava).
Millet: Primaloft hat.

Château de la Treyne Exhibition

Château de la Treyne. 90 x 110 cm, oil on linen.

My wife and I will be having an exhibition in Château de la Treyne on the Dordogne river, in the Lot region of France this coming July.

All of the small paintings were painted on site last summer, when we had an opening in the lockdowns here in Europe. The larger paintings were painted in the studio this winter, either finished from plein air starts, or enlarged from sketches done in the field.

Bend in the Dordogne. 100 x 140 cm, oil on linen.

It’s a stunningly beautiful area, and this is the second summer we have spent painting there. We are normally based near Domme, as we work with the V&A Gallery in Sarlat-la-Canéda, but for this trip we worked much more to the east, to try to paint areas closer to the Chateau.

The castle itself is a spectacular property and we received a very warm welcome from the wonderful owners.

Afternoon Light, Château de la Treyne. 80 x 100 cm, oil on linen.

One thing I really love about the Dordogne is how clean the water is. The areas where we were painting were full of water crowfoot, with bees pollinating the flowers that sit just out of the water. And it’s great to see such a large river so teeming with fish and frogs.

Passing Cloud, Château de la Treyne. 100 x 80 cm, oil on linen.
Walnut Grove. 90 x 120 cm, oil on linen.

Above are all the larger pieces fresh from the studio. Below are all of the smaller, plein air work from the summer. The first group are the ones I used as reference for the studio paintings.

The Dordogne from above Pinsac. 25 x 35 cm, oil on panel.
Afternoon Light, Château de la Treyne. 20 x 30 cm, oil on panel.
Passing Cloud. 30 x 20 cm, oil on panel.
Walnut Grove. 20 x 30 cm, oil on panel.
Banana Tree, Martel. 30 x 20 cm, oil on panel.
Canoe Rental, Pinsac. 20 x 30 cm, oil on panel.
Reilhaguet. 25 x 35 cm, oil on panel.
Château de Belcastel. 20 x 30 cm, oil on panel.
Milling Stone, Moulin de Cougnaguet. 30 x 20 cm, oil on panel
Reflections, Pinsac. 20 x 30 cm, oil on panel.
Castelnaud-la-Chapelle Castle. 20 x 30 cm, oil on panel.
Gardens at Château de la Treyne #1. 30 x 20 cm, oil on panel.
Gardens at Château de la Treyne #2. 30 x 20 cm, oil on panel.
Gardens at Château de la Treyne #3. 25 x 35 cm, oil on panel.
Cutting Garden. 25 x 35 cm, oil on panel.
Morning Light, Martel. 30 x 20 cm, oil on panel.

Regards sur le Gers

Plein air oil painting of Plieux, France.
Fallow Field, Plieux. Oil on panel, 20 x 30 cm

I have an exhibition on at the moment with Plieux Arts in the Gers region of France. The paintings were done last year, and I wrote a blog post at the time about the beauty of the area, including images of the work.

This year, we had to be here for the exhibition opening in July, and then again for a plein air course in early September. Therefore we decided to stay the month in France rather than drive back and forth from Portugal. We rented an apartment in the village of La Sauvetat, at the southern end of the area where we love painting (around Lectoure). These are some of the images from this year’s crop of plein air landscapes of the Gers.

Plein air oil painting of a passing cloud in Gers, France.
Passing Cloud, La Sauvetat. Oil on panel, 25 x 35 cm
Plein air oil painting of Lectoure, France.
Lectoure #1. Oil on panel, 25 x 35 cm
Plein air oil painting of Lectoure, France.
Lectoure #2. Oil on panel, 20 x 30 cm
Plein air oil painting of oleander.
Oleander bushes. Oil on panel, 20 x 30 cm
Plein air oil painting of a brocante market in France.
Brocante, La Sauvetat. Oil on panel, 30 x 20 cm

It’s worrying traveling in these times of Covid. Our town in Portugal still hasn’t had any cases, so for us it was concerning to leave the safety of our controlled environment to drive halfway across Europe. So far, so good though. And the French seem to be taking it pretty seriously.

Plein air oil painting of an artist painting in the shade of haybales.
Tina Painting in the Shade. Oil on panel, 20 x 30 cm
Plein air oil painting of Lavardens, Gers.
Lavardens. Oil on panel, 20 x 30 cm
Plein air oil painting of Queen Anne's lace.
Queen Anne’s Lace. Oil on panel, 30 x 20 cm
Plein air landscape painting of rolling hills in Gers.
Rolling Hills, Gers. Oil on panel, 20 x 30 cm
Plein air painting of chickpea fields.
Chickpea Field, Gers. Oil on panel, 20 x 30 cm
Plein air painting of a farmhouse in Gers, France.
Farmhouse, Gers. Oil on panel, 25 x 35 cm

I only had time for one larger plein air piece. The following one was painted over the course of three days:

Plein air landscape painting in oils of a sunflower field in Gers.
The Side of a Sunflower Field. 85 x 110 cm (34 x 44 inches)

As I mentioned last time, the Gers is a really stunning area for landscape painting and I would highly recommend it for anyone looking for a picturesque region for plein air work.

California Dreaming

I have a number of works in a new exhibit at the Grenning Gallery in Sag Harbor, NY. Check it out if you’re in the area. There is no opening due to COVID, but the gallery is open normally.

The paintings were all done either en plein air in California, or later in my studio from studies.

Here are some photos of the paintings, for those of you who can’t make it:

Oil painting of Heilser Park and Divers' Cove in Laguna Beach, California.
Heisler Park, Laguna Beach. Oil on linen, 8 x 12 in.
Oil painting of the Big Sur coast.
Big Sur. Oil on linen, 8 x 12 in.
Oil painting of San Benancio Road in Salinas, California.
San Benancio Road. Oil on linen, 11 x 14 in.
Norton Ave, Windsor Square. Oil on Linen, 11 x 14 in.
Farm near Watsonville. Oil on linen, 8 x 12 in.
Monastery Beach, Carmel-by-the-Sea. Oil on linen. 8 x 12 in.
Palo Corona. Oil on linen, 8 x 12 in.
San Carpoforo. Oil on linen, 11 x 14 in.
Rye Grass. Oil on linen, 39 x 31.5 in.
Garrapata. Oil on linen, 31 x 39 in.
Hope Valley. Oil on linen, 35 x 47 in.
Big Dome, Point Lobos. Oil on linen, 43 x 54 in.
North Point, Point Lobos. Oil on linen, 35 x 42 in.

Plein Air Paintings from France (2019)

In a recent post I wrote about landscape painting in the Gers region of France. Here are the paintings from the rest of our summer trip. We bounced around quite a bit of the country as we had to be here and there for workshops and to work towards future exhibitions.

After the Gers, we traveled over to Bordeaux for a few days, then down to the coast between Sète and Agde for a week on the beach.

Plein air painting of a street in Bordeaux, France
Rue de Pessac, Bordeaux. 20 x 30 cm, oil on panel.
Plein air painting of Allées de Tourny in Bordeaux
Allées de Tourny, Bordeaux. 20 x 30 cm, oil on panel.
Place des Quinconces
Place des Quinconces, Bordeaux. 20 x 30 cm, oil on panel.
Place Amédée-Larrieu in Bordeaux.
Place Amédée-Larrieu, Bordeaux. 25 x 35 cm, oil on panel.
Plein air painting of Agde in Southwestern France.
Agde. 20 x 30 cm, oil on panel.
Oil painting of Sete in Southwestern France.
Sète. 20 x 30 cm, oil on panel.
Oil painting of the Canal du Midi.
The Canal du Midi. 20 x 30 cm, oil on panel.
Oil painting of a chapel in France.
Chapel near the Thau. 20 x 30 cm, oil on panel.
Oil painting of boats in Sète.
Les Copains, Sète. 20 x 30 cm, oil on panel.
Oil painting of the canals in Sete.
Afternoon light, Sète. 20 x 30 cm, oil on panel.
Oil painting of Mèze, France.
Mèze, on the shore of the Thau. 20 x0 30 cm, oil on panel.

After the Gers, we traveled over to Bordeaux for a few days, then down to the coast between Sète and Agde for a week on the beach. Next we had to head up north for a workshop near Laon, so we stopped for a few days in the Loire Valley.

Oil painting of the cathedral in Tours.
The Cathedral, Tours. 20 x 30 cm, oil on panel.
Oil painting of Amboise, France.
Passing Storm, Amboise. 20 x 30 cm, oil on panel.
Oil painting of the Château de Chenonceau
Château de Chenonceau. 25 x 35 cm, oil on panel.
Oil painting of Blois, France.
Blois. 20 x 30 cm, oil on panel.

In Laon we had a workshop, so I didn’t get much of my own work done. We were on a beautiful property though, so I tried to paint as often as I could.

Oil painting of a pond in Northern France.
The Side of a Pond, Fourdrain. 25 x 35 cm, oil on panel.
Oil painting of cows in northern France.
Cows in the Sun, Fourdrain. 20 x 30 cm, oil on panel.
Oil painting of buildings through trees.
The Farm Buildings, Fourdrain. 20 x 30 cm, oil on panel.
Oil painting of a pond in France.
Lily Pond. 35 x 25 cm, oil on panel.

After Laon we had a couple of days to kill so we headed over to Normandy to paint in Honfleur. I’m always trying to find places where my favorite artists worked, and Boudin, Seago, Jongkind and Monet (among others) all painted in and around the small port there.

Oil painting of the port at Honfleur, France.
Honfleur. 20 x 30 cm, oil on panel.
Oil painting of Honfleur, France.
Morning, Honfleur. 20 x 30 cm, oil on panel.
Painting of boats in Honfleur.
Boats, Midday, Honfleur. 25 x 35 cm, oil on panel.
Plein air oil painting of Honfleur.
Evening Light, Honfleur. 20 x 30 cm, oil on panel.

From Normandy we drove back down to the Dordogne, to paint local scenes for the V&A gallery in Sarlat-la-Canéda.

Oil painting of the Dordogne river from Domme.
The Dordogne from Domme. 25 x 35 cm, oil on panel.
Oil painting of Sarlat, France.
Sarlat-la-Canéda. 30 x 20 cm, oil on panel.
Oil study of the Dordogne river.
Water Study, the Dordogne. 20 x 30 cm, oil on panel.
Oil painting of Beynac.
Beynac from the Dordogne. 20 x 30 cm, oil on panel.
Oil painting of a child on a swing.
Child on a Swing. 25 x 22 cm, oil on panel.

These are most of the paintings but the full summer’s oeuvre was posted at the time to my Instagram account.

Overall it was a great trip. The painting locations across France are varied and stunning, the food was amazing, and the people were wonderful and welcoming. We’ll be back again in the summer of 2020 as we have an exhibition and a couple of workshops.